Interactive · Simulation
The circle of fifths for guitar.
Twelve keys arranged so that every neighbour shares six of its seven notes. Turn the dial, hear the chords, and see them on the neck.
- Tap a chord to hear it
- Drag or swipe the dial to change key
- Tab to the dial: ← → turn, M major/minor
- In the chords: Enter plays, ⇧Enter makes it the key
- 1–7 play the key's chords
- Esc stops
Click a chord to hear it · drag the dial to change keyTap a chord to hear it · swipe across the dial to change key
Use the Key slider to turn the dial. In the chord grid, arrow keys move, Enter plays a chord, Shift and Enter makes it the key, digits 1 to 7 play the chords of the key, and Escape stops playback.
Selected chord · I
BmajorTonic
- B1
- D♯3
- F♯5
Home — progressions come to rest here.
Outer: major · Middle: relative minor · Inner: diminished (vii°)
Position 5 o'clock · 5 sharps
B major
5 sharps: F♯ C♯ G♯ D♯ A♯
Major scale
Diatonic chords
Selected chord · I
B major
| Formula | 1 | 3 | 5 |
|---|---|---|---|
| Notes | B | D♯ | F♯ |
Progressions in B major · 96 BPM
The pop axis
Four chords that carry a huge share of modern pop. All four sit next to each other on the circle.
- BI
- F♯V
- G♯mvi
- EIV
Heard in: Let It Be, No Woman No Cry, With or Without You
Three-chord rock
Tonic, subdominant, dominant: the key and its two neighbours on the outer ring.
- BI
- EIV
- F♯V
- EIV
Heard in: La Bamba, Twist and Shout, Wild Thing
'50s doo-wop
The vi chord softens the move from I to IV before the V pulls back home.
- BI
- G♯mvi
- EIV
- F♯V
Heard in: Stand by Me, Every Breath You Take
Jazz ii–V–I
Each chord falls a fifth to the next — a walk anticlockwise around the circle.
- C♯m7ii7
- F♯7V7
- Bmaj7Imaj7
Heard in: Autumn Leaves, Fly Me to the Moon
12-bar blues
Dominant 7th chords on I, IV and V across twelve bars. The foundation of blues and early rock 'n' roll.
- B7I7
- B7I7
- B7I7
- B7I7
- E7IV7
- E7IV7
- B7I7
- B7I7
- F♯7V7
- E7IV7
- B7I7
- F♯7V7
Heard in: Johnny B. Goode, Pride and Joy, Hound Dog
Minor-key progressions live on the .
Fretboard · standard tuning
B inside B major
- Chord root
- Chord tone
- Key tonic
- Scale tone
Tap any fret to hear it.
Harmonisation
Harmonising B major
Build a chord on every note of the scale by stacking thirds: take a note, skip one, take the next. The scale alone decides whether each third is major or minor, and so the quality of every chord.
Pick a degree
Stacking thirds on B
- BR
- C♯·
- D♯3
- E·
- F♯5
- G♯·
- A♯·
B I
major: major 3rd + minor 3rd
B · D♯ · F♯ = 1 3 5
Every major key repeats the same pattern: major, minor, minor, major, major, minor, diminished.
Modulation
Modulating from B major
Changing key mid-song. The closer two keys sit on the circle, the more notes and chords they share, and the smoother the move. A shared pivot chord belongs to both keys, so the ear only notices the change once the new key's V7 arrives.
Dominant · 1 step clockwise
B major → F♯ major
- Shared notes
- 6 of 7
- What changes
- E → E♯
- Pivot chords
- 4
- BI → IV
- D♯miii → vi
- F♯V → I
- G♯mvi → ii
Hear it
- BI in BHome
- G♯mii in F♯Pivot
- C♯7V7 in F♯New V7
- F♯I in F♯Arrived
For teachers and bloggers
Embed this wheel
Put the playable All twelve keys arranged in a circle, each a 5th above the last. Neighbouring keys differ by one sharp or flat. on your own site or lesson page. Paste this code where you want it to appear; it is free to use.
<iframe src="https://guitstart.com/embed/circle-of-fifths" title="Interactive circle of fifths by GuitStart" width="100%" height="1080" loading="lazy" style="border:0;max-width:600px"></iframe>
<p><a href="https://guitstart.com/circle-of-fifths">Circle of fifths by GuitStart</a></p>